
Everything in Giorgia's collections is handknitted or hand sewn, and produced in very small batches with a dedication to sustainability with zero waste production. All excess and cast-off is reused in clothes, accessories, or packaging. A Nitto sweater can require up to 50 hours of work, and the handwritten tag includes the name of the person who made the garment.

COLOMBA LEDDI
Inspiration for her fabrics come from her father's paintings, flowers picked in the garden, moss, roots, a detail of a single petal or the pattern on a carpet. These images are photographed, digitalized, and enlarged - with distorted proportions and perceptions becoming new visionary illusions. Colomba loves to experiment with new fabric printing techniques.
Colomba Leddi is based in Milan, Italy.

Boboutic’s approach to knitwear is unpredictable, aiming at creating a product where materials and structures compensate each other.
The yarn, considered as an endless line, is ideally kept intact by rejecting the use of scissors in the making of the garments. They work around the idea of a “knitwear wardrobe”, living and working in Florence, Italy.
Paris-based Gareth Casey is heavily inspired by workwear, using the finest milled traditional fabrics in his collections. He is perhaps best known for his signature paper cotton fabric, an absolute necessity around the shop with its soft hand and beautifully wrinkled appearance.
Each garment is finished with a hand sewn red thread, a Casey Casey trademark and a nod to the meticulous construction and attention to detail on all of their garments.

Sterling silver pieces are hand-hammered to reflect the light like little mirrors in a slightly irregular way - contrast is then achieved by oxidizing. Designer Klaus Lohmeyer aims to find the perfect balance between meaning, beauty, and function - while cherishing the heritage of making things by hand in the best possible way.
Elena works with only a handful of retailers and her pieces are all handmade in her small atelier in East Sussex, England.
She draws inspiration from her work as a tailor, with an appreciation for the state of semi-deconstruction. Elena retains this aesthetic in her finished work.